Rob Walker writes about technology, design, business, the arts, and other subjects. His column The Workologist appears in The New York Times Sunday Business section. Previously he wrote the Consumed column for The New York Times Magazine, and has contributed to many publications. He is co-editor (with Joshua Glenn) of the book Significant Objects: 100 Extraordinary Stories About Ordinary Things, and author of Buying In: The Secret Dialogue Between What We Buy and Who We Are.    

















































































































































10.03.08
Subconscious Warm-Up
The Speedo LZR Racer suits worn by
Michael Phelps and other world-class swimmers. Promoted as a design breakthrough and worn by the most victorious Olympian in history, it offers a potent blend of functional promise and emotional aspiration.












04.08.07
Back to Basics Egg & Muffin Toaster
In a recent issue of The 
M.I.T. Sloan Management Review, Michael Schrage, a business writer and an M.I.T. researcher, challenged what Bruce Greenwald, has said about the fate of all innovative technologies: “In the long run, everything is a toaster.”




















Observed | January 07

“It seems to me that designers, bringing evermore astonishing prowess to bear, too often outshine the work they are meant to support.” Another pitch-perfect review by Jesse Green. [JH]

Design and the Chinese bookstore: a saga! (h/t to Jen Renninger) [JH]

From Mad magazine to B-Movies: An Oral History of Beastie Boys’ Artwork. [BV]


Observed | December 30

Book jackets as optical echoes. [JH]

Design and Healing, a new exhibition at Cooper Hewitt in New York, “helps us appreciate optimism amid hopelessness, and celebrates extraordinary accomplishments under duress”. [JH]

The long read: Craig L. Wilkins on the questionable role of the architectural biennial. [JH]

Why is a typeface named Jim Crow? (via Mike Errico.) [JH]


Observed | December 23

“It’s something that should have been caught in the design phase.” [JH]

A beautiful roundup of forty years of MTV logos, from our friends at It’s Nice That. [JH]

Broken covers: Steve Goldman puts the world’s worst album art on show.[BV]


Observed | December 17

Redesigning the euro—by 2024! [JH]

Brad Pitt, design obsessive, takes on his latest project, in France. [JH]

Design at Apple in the post-Jony Ive era. [JH]

We normally avoid any incoming news item labeled “trends to watch” but there are actually some lovely things in here. ’Tis the season to look at ... beer labels! [JH]

La Patria is a robust online archive of Uruguayan design that includes posters, postage stamps. book and record covers, and more. [JH]


Observed | December 10

Design and traffic. [JH]

In Ghana, a model for design, education, community—and sustainability. [JH]

Insecure—the acclaimed HBO series—makes costume design history. [JH]

Ritesh Gupta launches Useful School, a pay-what-you-can online design curriculum for people of color. [BV]

Spotify Wrapped: a design-cautionary tale. [JH]


Observed | November 26

Dave Hickey, the author of Air Guitar and The Invisible Dragon, has died. The influential art and cultural critic was 82. [JH]

Rethinking design—as a transformative catalyst for change—in the circular economy. [JH]


Observed | November 15

Bob Gill, “bomb-throwing revolutionary”“, “polemicist”, and, yes, the important and influential graphic designer, dies at 90. [JH]

Who designs the city? A compelling, inclusive, and actionable inquiry. [JH]

All hail the mighty ... typewriter! [JH]


Observed | November 12

Periplus* Workshops, offers a new and unique opportunity for emerging designers to respond to nature in the rural and ancient Mani Region, near Kalamata, in Greece. [JH]

A new retrospective of Barbara Kruger’s “endlessly hashtaggable” work opens at the Art Institute of Chicago. [JH]


Observed | November 05

Inspired? Revolutionary? Or just batshit crazy? A consulting architect on a proposed new dormitory at the University of California Santa Barbara claims its design premise is "unsupportable from my perspective as an architect, a parent, and a human being". [JH]

If you think you’re not part of this well-oiled machine of excess—and its dark underbelly—you’re wrong. (Don’t miss the Swedish teapot man.) [JH]



Jobs | January 16