Design for Democracy

Sam Holleran
Designing the “Real Deal”
Is there room for capital-D design in a political landscape that equates its absence with authenticity? We examine the political design landscape two years after the red MAGA cap.


James Cartwright + Lilly Smith
Flipping the Script
How two progressive organizations, Tactical 2017 and Flippable, use open-source data and strategic voting, and why that might dictate the future of our elections.


Lilly Smith
Artifact: 2000 Palm Beach County Ballot
This article is the first in a new and ongoing Design Observer series, Artifact, which takes one piece out of AIGA’s Design Archives and asks a design expert in the topic being observed to reflect on its current impact in the present. This week: Marcia Lausen looks at the 2000 Palm Beach County Ballot.


Laetitia Wolff
Design for Democracy: Building Community Power
Design articulates choice at a time when there are seemingly no choices or only binary choices.


Lilly Smith
Double or Nothing: Can designers erase the gender pay gap?
On Equal Pay Day, Heather Stern, Emily Oberman, and Laura Kunkel, leaders of the new AIGA Women Lead campaign Double or Nothing, talk about what they’re doing to make the gender pay gap a thing of the past.


James Cartwright
Can Demagogues be Designed out of Democracy?
Dutch transition designer Rudy van Belkom and Irish digital design agency FrontEnd are leading the charge to combat democratic dissatisfaction. Is it a pipe dream, or can we design a different way?



Observed


We were sad to hear that the visionary George Lois, died last week. He was 91. [BV]

Chicago Design Through the Decades opens today and runs through the end of the year. The project starts with Art Deco in the 1920s and goes through the 2020s with digital portraits produced using neural networks. [BV]

Art and immersion, according to David Hockney. In London, through April. [JH]

Striking art and design faculty at Parsons and The New School make headlines—as they should. [JH]

Wakanda Forever‘s costumes represent a coming together of cultures. [BV]

Japandi! [JH]

Memorials are retrospective but also aspirational: They are statements about who we mourn and prescriptions for how we mourn; in a way, they are self-portraits. [JH]

Sirenia, a new font from Felix Braden, is made up of organic shapes and ornamental curves. [BV]

Asia’s premier annual event on design, innovation and brands for illuminating conversations with global creative leaders: from 28 November to 3 December. [JH]

Shrink it and pink it: Karen Korellis Reuther explores gender bias in product design. [BV]

We‘re listening to Sketch Model, a new podcast hosted by our friend Sara Hendren that focuses on on engineering education and its need for the humanities and arts. [BV]

Design and ... cannabis? [JH]

Brad Pitt—yes, THAT brad Pitt—and his man cave (including Nick Cave) of fellow bros—we mean, artists. (Yes, you read that correctly). [JH]

Design and the cringe factor. [JH]

Bold! Domed! and ROUND! The new smart watch. From Google. [JH]

Adobe. Figma. TWENTY BILLION DOLLARS. Discuss! [JH]

Can a design studio democratize innovation? Sam’s Club thinks so. [JH]

A retrospective of the South African artist, William Kentridge opens at the Royal Academy in London this week, and runs through early December. [JH]

When the former President of Harvard pays attention to typography, it’s time to pay attention to her. [JH]

Eye candy? (Eye dairy?) Behold: the Barcelona Butter Chair! [JH]

A new exhibit at the Victoria & Albert museum reveals what objects people choose to repair—and how they want them fixed. [BV]

NYC is looking for volunteer artists to paint its garbage trucks. [JH]

Dezeen announces the 2022 award winners. [JH]

Artificial intelligence in the service of ... the skyscraper? [JH]

The Smithsonian announces the winners of the National Design Award. [JH]

Wellness—for designers. [JH]



Jobs | November 26