Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect’s Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.


































































03.26.12
‘Deco Japan’ + Designing Women
The Japan Society's new exhibition
"Deco Japan: Shaping Art and Culture, 1920-1945" displays the surprising globalism of this little-known period in Japanese design, when pent-up post-1923-earthquake desires for new goods and new traditions met up with a new openness to Western arts and the rise of industrialization




































































































09.28.10
Yummy!
I thoroughly enjoyed the exhibition
Appetite, curated by Alexander Tochilovsky at the Herb Lubalin Center at Cooper Union, not least because it was bite-sized.




09.26.10
Masdar: So Many Questions
I was not planning to post anything about 
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.




09.24.10
Rendering v. Reality in Sukkah City
I was not planning to post anything about
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.











09.08.10
In Dwell: Hands Off the Icons
In the 
October 2010 issue of Dwell, which celebrates the magazine’s tenth anniversary by revisiting its own (generally happy) homeowners, I offer the following Argument.




09.07.10
Coming to the V&A: Tower of Power
It is not often that 
a museum blogs about Postmodernism, Michael Sorkin (one of the great take-downs) and credits the (female) renderer who made the AT&T Building look the best it ever has.





08.30.10
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.

















07.27.10
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.








07.20.10
Culture Shed: Where’s the Neighborhood?
CultureGrrl 
offers a critique of the NEA grant for Culture Shed, the Diller Scofidio + Renfro and Rockwell Group design for a Kunsthalle with retractable roofs over at Hudson Yards.





07.18.10
Hung Ceilings
Mad Men returns, and now it's time to speculate on the evolution of Peggy’s hair and the meaning of Betty’s dress choices




07.13.10
Time to Move On
A very nice 
house in Montauk embodies the most recent cliches in architecture: floating staircases, pocket doors, and glass floors.







07.06.10
Below Black Rock
While the plaza around the 
CBS Building in Manhattan has always seemed perverse, it is now made worse with the addition of a bank.




07.02.10
The Personality of Parks
Until Pier 6 at 
Brooklyn Bridge Park opened, my only experience of parks as a parent had been of neighborhood parks










06.17.10
Diana Center & Architectural Bull----
Though rave reviews (
Architect, Metropolis, previously New York) are rolling in for Weiss/Manfredi’s Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.







06.11.10
Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.




06.10.10
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.








06.02.10
Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be blogging from the CCA this summer irritated me, partly because the idea is not brand new.




05.27.10
The Plastics
This month’s
Vogue, which had several enraging features, is not yet fully online except for Blake Lively, bathing suits, clear plastic.






05.21.10
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.








05.14.10
It Was All Yellow
In 
Buying In, author Rob Walker avoids talking about the aesthetics of the Livestrong bracelet.




05.12.10
In Metropolis: The Visceralist
I spent a day and a half with
Peter Bohlin in deepest Pennsylvania and New York State, and was very impressed with his house projects and attitude toward design.






05.07.10
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.








05.02.10
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.













04.15.10
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.










04.03.10
Has the High Line Ruined Us?
I went to
Brooklyn Bridge Park on opening day in the pouring rain with stroller.






03.31.10
Moynihan on Design
At
tonight’s lecture at D-Crit, Casey Jones, director of design excellence and the arts for the U.S. General Services Administration, quoted from Daniel Patrick Moynihan’s Guiding Principles for Federal Architecture, written in 1962.




03.30.10
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.












03.16.10
Things of Beauty
Saul Bass matchbook covers are about the most beautiful things I have seen in some time.








03.08.10
Not A Learning Experience
The Privileges finally gives a real satire of almost-present day New York City, in which money is discussed and no one has to learn their lesson.






03.03.10
The (Architectural) Anthologist
After some digressions weird and
wonderful, the Nicholson Baker I loved from The Mezzanine and U and I and Room Temperature seems to be back, cranky and at sea and procrastinating.















02.03.10
In AN 02: As the Tide Turns
In MoMA’s 
Rising Currents exhibition, certain tropes of contemporary waterfront design immediately surfaced.

















01.13.10
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of Avatar.






01.07.10
On DO: Skating on the Edge of Taste
The American Restaurant in Kansas City, designed by Warren Platner, is subject of a long essay on that architect and interior designer’s career.




01.06.10
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.







12.31.09
Last Post of 2009: Interview, Casey Jones
I interviewed the GSA’s newish head of Design Excellence,
Casey Jones, earlier this month about the future of this government program to ensure better architecture for government buildings






12.21.09
Exciting Multi-Generational Moment
An essay and slideshow on the
design of James Joyce’s Ulysses by my mother, Martha Scotford, appears on Design Observer, where I was recently made a contributing writer.






















11.22.09
Another New York
Every time I get an issue of
New York Magazine lately I ask myself: is Adam Moss turning it into a men’s magazine?



















10.24.09
Petting Zoo
On Thursday I took my class on a field trip to
One Bryant Park, the sustainable skyscraper that is almost complete at the northwest corner of 42nd Street and Sixth Avenue.























































































Observed | September 16

Eye candy? (Eye dairy?) Behold: the Barcelona Butter Chair! [JH]

A new exhibit at the Victoria & Albert museum reveals what objects people choose to repair—and how they want them fixed. [BV]


Observed | September 09

NYC is looking for volunteer artists to paint its garbage trucks. [JH]

Dezeen announces the 2022 award winners. [JH]

Artificial intelligence in the service of ... the skyscraper? [JH]

The Smithsonian announces the winners of the National Design Award. [JH]

Wellness—for designers. [JH]


Observed | August 13

Dizzying discs and obscene wordplay—revisiting Marcel Duchamp’s 1926 film debut. [BV]

For Ben Watson, who leads MillerKnoll, every great designer is an optimist. [JH]

Tina Charad—a Los Angeles-based South African by way of Britain—on the challenges of graphic in film. [JH]

Entertainment for the dog days of August: Focukups are digital mockups that show your work in, um, real conditions. [JH]


Observed | July 29

Conceptual magazine covers, and why they matter. [JH]


Observed | July 22

Deem is a design journal established upon the notion that design is fundamentally a shared experience that adds value to communities. [JH]

Fast Company shares its favorite design books of summer. [JH]

Design and surrealism, an exhibition at the London Design Museum. [JH]

Claes Oldenberg, the Swedish-born American Pop artist known for his monumental sculptures of everyday objects, has died. He was 93. [JH]

Manuhuia Barcham, Managing Director, Archetekt, will be the next head of the AIGA Board of Directors. [JH]


Observed | July 15

Everything You Ever Wanted To Know About (Design And) Sex But Were Afraid To Ask. [JH]

“He’s even branched out into graphic design himself, with a little help from Naoto Fukasawa, in a bizarre collaboration that has yet to see the light of day.” Kanye West does design. (And doesn’t.) [JH]

Sreoshy Banerjea has been appointed by Mayor Eric Adams as the next Executive Director of the New York City Public Design Commission. [JH]

“He’s not just a designer,” Steve Jobs once said of Jonathan Ive, then-design director at Apple. “He has more operational power than anyone at Apple, except me.” [JH]


Observed | July 08

The American designer Arnold Skolnick who—Inspired by Matisse’s cutouts—created the iconic Woodstock poster in 1969, has died. He was 85. [JH]

Where graphic design meets architecture: Thonik’s new studio, in Amsterdam. [JH]

Marcus Fairs, the founder and editor-in-chief of Dezeen, has died. The well-known design journalist was 54. [JH]

2022 SEGD Award winners announced. [JH]


Observed | June 17

Molly Young reviews Alexandra Lange’s new book, Meet Me by the Fountain: An Inside History of the Mall. (Read an excerpt here.) [JH]

Can you quantify creativity? [JH]

Zimbabwean born designer, visual artist, and educator Nontsikelelo Mutiti has been appointed the next Director of Graduate Studies in Graphic Design at Yale School of Art. [JH]


Observed | June 03

A critique of poster design goes viral. [JH]

Colin Forbes—who, with Alan Fletcher, Theo Crosby, Mervyn Kurlansky and Kenneth Grange co-founded the international design firm, Pentagram, in the early 1970s—has died at 94. [JH]

Are school shootings a design problem? Texas Senator Ted Cruz thinks so. [JH]]

In the United States, there are five requirements for design patentability. Do you know what they are? [JH]

Italian design legend Riccardo Falcinelli on design philosophy—and reality. [JH]

Read It And Weep Department: Just when you thought a more diverse cast of characters (think women and people of color, for starters) might actually be on their way to getting some long-overdue airtime, Austrian brothers Jono and Benji Bergmann release a film on ... Bruce Mau! [JH]



Jobs | October 01