Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect’s Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.


































































03.26.12
‘Deco Japan’ + Designing Women
The Japan Society's new exhibition
"Deco Japan: Shaping Art and Culture, 1920-1945" displays the surprising globalism of this little-known period in Japanese design, when pent-up post-1923-earthquake desires for new goods and new traditions met up with a new openness to Western arts and the rise of industrialization




































































































09.28.10
Yummy!
I thoroughly enjoyed the exhibition
Appetite, curated by Alexander Tochilovsky at the Herb Lubalin Center at Cooper Union, not least because it was bite-sized.




09.26.10
Masdar: So Many Questions
I was not planning to post anything about 
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.




09.24.10
Rendering v. Reality in Sukkah City
I was not planning to post anything about
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.











09.08.10
In Dwell: Hands Off the Icons
In the 
October 2010 issue of Dwell, which celebrates the magazine’s tenth anniversary by revisiting its own (generally happy) homeowners, I offer the following Argument.




09.07.10
Coming to the V&A: Tower of Power
It is not often that 
a museum blogs about Postmodernism, Michael Sorkin (one of the great take-downs) and credits the (female) renderer who made the AT&T Building look the best it ever has.





08.30.10
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.

















07.27.10
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.








07.20.10
Culture Shed: Where’s the Neighborhood?
CultureGrrl 
offers a critique of the NEA grant for Culture Shed, the Diller Scofidio + Renfro and Rockwell Group design for a Kunsthalle with retractable roofs over at Hudson Yards.





07.18.10
Hung Ceilings
Mad Men returns, and now it's time to speculate on the evolution of Peggy’s hair and the meaning of Betty’s dress choices




07.13.10
Time to Move On
A very nice 
house in Montauk embodies the most recent cliches in architecture: floating staircases, pocket doors, and glass floors.







07.06.10
Below Black Rock
While the plaza around the 
CBS Building in Manhattan has always seemed perverse, it is now made worse with the addition of a bank.




07.02.10
The Personality of Parks
Until Pier 6 at 
Brooklyn Bridge Park opened, my only experience of parks as a parent had been of neighborhood parks










06.17.10
Diana Center & Architectural Bull----
Though rave reviews (
Architect, Metropolis, previously New York) are rolling in for Weiss/Manfredi’s Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.







06.11.10
Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.




06.10.10
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.








06.02.10
Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be blogging from the CCA this summer irritated me, partly because the idea is not brand new.




05.27.10
The Plastics
This month’s
Vogue, which had several enraging features, is not yet fully online except for Blake Lively, bathing suits, clear plastic.






05.21.10
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.








05.14.10
It Was All Yellow
In 
Buying In, author Rob Walker avoids talking about the aesthetics of the Livestrong bracelet.




05.12.10
In Metropolis: The Visceralist
I spent a day and a half with
Peter Bohlin in deepest Pennsylvania and New York State, and was very impressed with his house projects and attitude toward design.






05.07.10
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.








05.02.10
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.













04.15.10
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.










04.03.10
Has the High Line Ruined Us?
I went to
Brooklyn Bridge Park on opening day in the pouring rain with stroller.






03.31.10
Moynihan on Design
At
tonight’s lecture at D-Crit, Casey Jones, director of design excellence and the arts for the U.S. General Services Administration, quoted from Daniel Patrick Moynihan’s Guiding Principles for Federal Architecture, written in 1962.




03.30.10
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.












03.16.10
Things of Beauty
Saul Bass matchbook covers are about the most beautiful things I have seen in some time.








03.08.10
Not A Learning Experience
The Privileges finally gives a real satire of almost-present day New York City, in which money is discussed and no one has to learn their lesson.






03.03.10
The (Architectural) Anthologist
After some digressions weird and
wonderful, the Nicholson Baker I loved from The Mezzanine and U and I and Room Temperature seems to be back, cranky and at sea and procrastinating.















02.03.10
In AN 02: As the Tide Turns
In MoMA’s 
Rising Currents exhibition, certain tropes of contemporary waterfront design immediately surfaced.

















01.13.10
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of Avatar.






01.07.10
On DO: Skating on the Edge of Taste
The American Restaurant in Kansas City, designed by Warren Platner, is subject of a long essay on that architect and interior designer’s career.




01.06.10
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.







12.31.09
Last Post of 2009: Interview, Casey Jones
I interviewed the GSA’s newish head of Design Excellence,
Casey Jones, earlier this month about the future of this government program to ensure better architecture for government buildings






12.21.09
Exciting Multi-Generational Moment
An essay and slideshow on the
design of James Joyce’s Ulysses by my mother, Martha Scotford, appears on Design Observer, where I was recently made a contributing writer.






















11.22.09
Another New York
Every time I get an issue of
New York Magazine lately I ask myself: is Adam Moss turning it into a men’s magazine?



















10.24.09
Petting Zoo
On Thursday I took my class on a field trip to
One Bryant Park, the sustainable skyscraper that is almost complete at the northwest corner of 42nd Street and Sixth Avenue.























































































Observed | November 20

Prolific title designer Pablo Ferro is recognized for introducing narrative and nonlinear dimensions to films spanning from Dr. Strangelove to Men in Black. Ferro passed on Saturday. His legacy lives on. [BV]

Because bullshit is almost everywhere, we assume we know how to recognize it and thus what it is. Subjectivity and its discontents. [BV]


Observed | November 19

Super recognizers: the people who never forget a face. (via Blake Eskin) [BV]

Amazon’s “stealth brands” are represented by $299 crowdsourced logos. (via James I. Bowie) [BV]


Observed | November 15

Juan Ángel Cotta’s work, especially a collection of hardback books he illustrated in 1960, is one of the missing links between South American publishing and the European modernist traditions. —Steven Heller. [BV]

Need some inspiration? 25 reasons to keep on making stuff “in this time of rampant assholery.” [BV]


Observed | November 13

Are we confusing readability with literary value? The case for difficult books. [BV]

Big Mike Takes Lunch” by filmmaker Nicolas Heller, is a documentary that captures a day in the life of Michael Saviello, manager for 40 years of the iconic East Village barber shop, Astor Place Hairstylists, who paints on his lunch break. [BV]


Observed | November 12

Artificial Intelligence is mapping the Pacific ocean’s secret soundscape in hopes of building the most comprehensive dataset of its kind – an enormous “sound postcard of the ocean.” [BV]

Metal band accused of quitting a tour because their logo was too small on the flyer responds with a tiny logo t-shirt. (via James I. Bowie) [BV]


Observed | November 09

Brilliant Maps is “making sense of the world, one map at a time” and includes maps of “Countries Which Have At Some Point Claimed To Be Rome’s Successor” and “A Map of Superheroes in NYC & The Areas They Protect”. [BV]

Bob Neill’s Book of Typewriter Art” from 1982 contains instructions for creating a likeness of Queen Elizabeth, Elvis Presley, numerous cats, and a mystery picture all in ascii. (via Blake Eskin) [BV]


Observed | November 08

Should I delete my social media? Five artists + writers weigh in. [BV]

Fabulous 1970s stock photo model shots: these were the archetypal 1970s faces and fashions. [BV]

What do our oldest books say about us? On the ineffable magic of four little manuscripts of Old English poetry. [BV]


Observed | November 07

The epic rise and fall of the name Heather. [BV]

Sixty-four extreme human emotions visualized, long before the emoji. [BV]


Observed | November 05

Almost published a number of times over the last 30 years, Julius Scott’s manuscript about slaves and sailors in the Caribbean has been an underground sensation and is finally being published. [BV]

While rumors of humans wiping out 60% of animal species been widely mischaracterized, the actual news is still grim. [BV]


Observed | October 31

“I see each commission as a challenge: write a piece of music which lasts between fifteen and twenty minutes, for an orchestra comprising the following 65 instruments, and we’d like it by this date.” Nico Muhly on designing music. [BV]

Boo! The spooky evolution of text message-based horror stories. [BV]


Observed | October 30

In case you need a distraction: A database of paper airplanes with easy to follow folding instructions. [BV]

The singular, cultlike status of the Kit Kat bar in Japan. [BV]


Observed | October 29

The use of skulls as design elements in American logos quintupled as the US went to war in Iraq and Afghanistan. (via James I. Bowie) [BV]


Observed | October 26

The question of whether time moves in a loop or a line has occupied human minds for millennia. Has physics found the answer? [BV]

Apple’s radical approach to news curation: have humans make selections rather than machines. [BV]


Observed | October 25

“What you do is you contribute these little background moments to people’s lives, and if you can do it in a way that brings a little beauty or pleasure along the way, it’s a home run.” Michael Bierut on his career as a designer. [BV]

The New York Times was one of the last American daily newspapers to add color to its news pages. Here’s why. (via Steven Heller) [BV]

Why are we still arguing for the business value of design? [BV]


Observed | October 24

Social media is not literature, and tweeting is not writing. Imagining Herzog as status updates. (via Arts and Letters Daily) [BV]



Jobs | November 20