Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect’s Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.


































































03.26.12
‘Deco Japan’ + Designing Women
The Japan Society's new exhibition
"Deco Japan: Shaping Art and Culture, 1920-1945" displays the surprising globalism of this little-known period in Japanese design, when pent-up post-1923-earthquake desires for new goods and new traditions met up with a new openness to Western arts and the rise of industrialization




































































































09.28.10
Yummy!
I thoroughly enjoyed the exhibition
Appetite, curated by Alexander Tochilovsky at the Herb Lubalin Center at Cooper Union, not least because it was bite-sized.




09.26.10
Masdar: So Many Questions
I was not planning to post anything about 
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.




09.24.10
Rendering v. Reality in Sukkah City
I was not planning to post anything about
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.











09.08.10
In Dwell: Hands Off the Icons
In the 
October 2010 issue of Dwell, which celebrates the magazine’s tenth anniversary by revisiting its own (generally happy) homeowners, I offer the following Argument.




09.07.10
Coming to the V&A: Tower of Power
It is not often that 
a museum blogs about Postmodernism, Michael Sorkin (one of the great take-downs) and credits the (female) renderer who made the AT&T Building look the best it ever has.





08.30.10
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.

















07.27.10
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.








07.20.10
Culture Shed: Where’s the Neighborhood?
CultureGrrl 
offers a critique of the NEA grant for Culture Shed, the Diller Scofidio + Renfro and Rockwell Group design for a Kunsthalle with retractable roofs over at Hudson Yards.





07.18.10
Hung Ceilings
Mad Men returns, and now it's time to speculate on the evolution of Peggy’s hair and the meaning of Betty’s dress choices




07.13.10
Time to Move On
A very nice 
house in Montauk embodies the most recent cliches in architecture: floating staircases, pocket doors, and glass floors.







07.06.10
Below Black Rock
While the plaza around the 
CBS Building in Manhattan has always seemed perverse, it is now made worse with the addition of a bank.




07.02.10
The Personality of Parks
Until Pier 6 at 
Brooklyn Bridge Park opened, my only experience of parks as a parent had been of neighborhood parks










06.17.10
Diana Center & Architectural Bull----
Though rave reviews (
Architect, Metropolis, previously New York) are rolling in for Weiss/Manfredi’s Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.







06.11.10
Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.




06.10.10
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.








06.02.10
Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be blogging from the CCA this summer irritated me, partly because the idea is not brand new.




05.27.10
The Plastics
This month’s
Vogue, which had several enraging features, is not yet fully online except for Blake Lively, bathing suits, clear plastic.






05.21.10
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.








05.14.10
It Was All Yellow
In 
Buying In, author Rob Walker avoids talking about the aesthetics of the Livestrong bracelet.




05.12.10
In Metropolis: The Visceralist
I spent a day and a half with
Peter Bohlin in deepest Pennsylvania and New York State, and was very impressed with his house projects and attitude toward design.






05.07.10
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.








05.02.10
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.













04.15.10
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.










04.03.10
Has the High Line Ruined Us?
I went to
Brooklyn Bridge Park on opening day in the pouring rain with stroller.






03.31.10
Moynihan on Design
At
tonight’s lecture at D-Crit, Casey Jones, director of design excellence and the arts for the U.S. General Services Administration, quoted from Daniel Patrick Moynihan’s Guiding Principles for Federal Architecture, written in 1962.




03.30.10
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.












03.16.10
Things of Beauty
Saul Bass matchbook covers are about the most beautiful things I have seen in some time.








03.08.10
Not A Learning Experience
The Privileges finally gives a real satire of almost-present day New York City, in which money is discussed and no one has to learn their lesson.






03.03.10
The (Architectural) Anthologist
After some digressions weird and
wonderful, the Nicholson Baker I loved from The Mezzanine and U and I and Room Temperature seems to be back, cranky and at sea and procrastinating.















02.03.10
In AN 02: As the Tide Turns
In MoMA’s 
Rising Currents exhibition, certain tropes of contemporary waterfront design immediately surfaced.

















01.13.10
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of Avatar.






01.07.10
On DO: Skating on the Edge of Taste
The American Restaurant in Kansas City, designed by Warren Platner, is subject of a long essay on that architect and interior designer’s career.




01.06.10
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.







12.31.09
Last Post of 2009: Interview, Casey Jones
I interviewed the GSA’s newish head of Design Excellence,
Casey Jones, earlier this month about the future of this government program to ensure better architecture for government buildings






12.21.09
Exciting Multi-Generational Moment
An essay and slideshow on the
design of James Joyce’s Ulysses by my mother, Martha Scotford, appears on Design Observer, where I was recently made a contributing writer.






















11.22.09
Another New York
Every time I get an issue of
New York Magazine lately I ask myself: is Adam Moss turning it into a men’s magazine?



















10.24.09
Petting Zoo
On Thursday I took my class on a field trip to
One Bryant Park, the sustainable skyscraper that is almost complete at the northwest corner of 42nd Street and Sixth Avenue.























































































Observed | April 03

Can computer chips design themselves? [JH]

From Frasier to Veep: Imagining your favorite television characters in a pandemic. [JH]


Observed | April 02

NASA’s “Worm” logo has returned! But the sad old “Meatball” remains the primary mark. (via James I. Bowie) [BV]

Annals of virus visualization: Center for Disease Control designers create branding coordinated to work with the now-iconic illustration. [JH]


Observed | April 01

Mad Max meets Little House on the Prairie: how to make your own face mask. [JH]


Observed | March 31

Michael Sorkin’s list of two hundred fifty things every architect should know. [BV]

Well, it took four years…but the Library of Congress solved another Mystery Photo Contest entry! [BV]


Observed | March 27

When the SXSW Film Festival was cancelled, many filmmakers were left without a way to debut their work—so our friends at Mailchimp stepped in. Watch them all now. [JH]


Observed | March 24

The final lecture in the Walker Art Center’s Insights Design Lecture Series with Amsterdam-based designer Ruben Pater will be streamed live and for free on March 31. [JH]


Observed | March 23

British experience designers Bomoas and Parr launch The Fountain of Hygiene competition, calling for designers to propose new forms of hand-sanitizer pumps as well as more creative hygiene solutions. [JH]

Los Angeles-based artists Juan Delcan and Valentina Izaguirre created an animated video (shot with a iphone) that uses matches to illustrate the impact of social distancing. [JH]


Observed | March 20

Emerging artists pay it forward during the health crisis by buying each other‘s work on Instagram. [JH]

Watch Charles and Ray Eames ‘Solar Do-Nothing Machine’ because ‘toys and games are the prelude to serious ideas’. [BV]

On this week’s New Yorker cover Christoph Niemann takes on the spread of the novel coronavirus, evoking a world in which the health of an individual and the health of the public seem, increasingly, to be interdependent. [BV]

“I can’t recall another time when a painting dominated headline news so incessantly; when the public came together to express love and hate for an artwork so passionately; or certainly, when curation was a nationwide discussion.” — George Millership on John William Waterhouse’s “Hylas and the Nymphs” [BV]


Observed | March 19

Graphic design for public health. [JH]


Observed | March 13

Seeing wonder in the small - looking at Ernst Haeckel found in his illustrations of microscopic life. [BV]


Observed | March 12

National Parks posters featuring quotes from one-star reviews. (via James I. Bowie) [BV]

Property of Opaqueness is a collaborative dance performance by artist and choreographer Takahiro Yamamoto and is part of The Unknown Artist, an exhibition at the Center for Contemporary Art & Culture, curated by Lucy Cotter. [BV]


Observed | March 10

Photographer Larry Racioppo spent the ’90s capturing NYC’s makeshift streetball courts: ’the closer I looked, the more interesting they became. Many are really a form of folk art.’ [BV]


Observed | March 06

Friday afternoon eye candy (literally): Jonny Trunk’s book, Wrappers Delight, provides a window into classic sweet package design. [BV]


Observed | March 05

Process Music is the second Kenneth FitzGerald album (of writing) and so worthy of your support! [BV]

Erica Walker studies urban noise at Harvard’s T.H. Chan School of Public Health and her goal is to raise awareness about how constant sound is affecting people’s lives and health. (Spoiler: there’s a lot of noise and it’s not good.) [BV]


Observed | March 04

Do we need a completely new approach to marketing books? Part one of a thought-provoking series from Designers and Books. [BV]

Design fiction is a mix of science fact, design, and science fiction...it recombines the traditions of writing and storytelling with the material crafting of objects.” (via Blake Eskin) [BV]


Observed | March 03

Museums and the Duomo cathedral in Milan reopened Monday, but visitors are asked to stand three feet apart. [BV]

Beyond the Visible: Space, Place, and Power in Mental Health is a symposium later this month at Yale School of Architecture that seeks to make designers and architects aware of their capacity to improve access to and perceptions of mental health. [BV]


Observed | February 26

The current NYC subway map is one of the most consulted in human history. In 1979 Michael Hertz, helped design it. He died last week at 87. [BV]

Why are music-streaming interfaces becoming visually indistinguishable? (via James I. Bowie) [BV]


Observed | February 21

Katie Holten has created a New York City Tree Alphabet. Each letter of the Latin alphabet is assigned a drawing of a tree from the NYC Parks Department’s existing native and non-native trees, as well as species that are to be planted as a result of the changing climate. For example, A = Ash. [BV]



Jobs | April 03