Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect’s Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.


































































03.26.12
‘Deco Japan’ + Designing Women
The Japan Society's new exhibition
"Deco Japan: Shaping Art and Culture, 1920-1945" displays the surprising globalism of this little-known period in Japanese design, when pent-up post-1923-earthquake desires for new goods and new traditions met up with a new openness to Western arts and the rise of industrialization




































































































09.28.10
Yummy!
I thoroughly enjoyed the exhibition
Appetite, curated by Alexander Tochilovsky at the Herb Lubalin Center at Cooper Union, not least because it was bite-sized.




09.26.10
Masdar: So Many Questions
I was not planning to post anything about 
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.




09.24.10
Rendering v. Reality in Sukkah City
I was not planning to post anything about
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.











09.08.10
In Dwell: Hands Off the Icons
In the 
October 2010 issue of Dwell, which celebrates the magazine’s tenth anniversary by revisiting its own (generally happy) homeowners, I offer the following Argument.




09.07.10
Coming to the V&A: Tower of Power
It is not often that 
a museum blogs about Postmodernism, Michael Sorkin (one of the great take-downs) and credits the (female) renderer who made the AT&T Building look the best it ever has.





08.30.10
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.

















07.27.10
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.








07.20.10
Culture Shed: Where’s the Neighborhood?
CultureGrrl 
offers a critique of the NEA grant for Culture Shed, the Diller Scofidio + Renfro and Rockwell Group design for a Kunsthalle with retractable roofs over at Hudson Yards.





07.18.10
Hung Ceilings
Mad Men returns, and now it's time to speculate on the evolution of Peggy’s hair and the meaning of Betty’s dress choices




07.13.10
Time to Move On
A very nice 
house in Montauk embodies the most recent cliches in architecture: floating staircases, pocket doors, and glass floors.







07.06.10
Below Black Rock
While the plaza around the 
CBS Building in Manhattan has always seemed perverse, it is now made worse with the addition of a bank.




07.02.10
The Personality of Parks
Until Pier 6 at 
Brooklyn Bridge Park opened, my only experience of parks as a parent had been of neighborhood parks










06.17.10
Diana Center & Architectural Bull----
Though rave reviews (
Architect, Metropolis, previously New York) are rolling in for Weiss/Manfredi’s Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.







06.11.10
Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.




06.10.10
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.








06.02.10
Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be blogging from the CCA this summer irritated me, partly because the idea is not brand new.




05.27.10
The Plastics
This month’s
Vogue, which had several enraging features, is not yet fully online except for Blake Lively, bathing suits, clear plastic.






05.21.10
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.








05.14.10
It Was All Yellow
In 
Buying In, author Rob Walker avoids talking about the aesthetics of the Livestrong bracelet.




05.12.10
In Metropolis: The Visceralist
I spent a day and a half with
Peter Bohlin in deepest Pennsylvania and New York State, and was very impressed with his house projects and attitude toward design.






05.07.10
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.








05.02.10
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.













04.15.10
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.










04.03.10
Has the High Line Ruined Us?
I went to
Brooklyn Bridge Park on opening day in the pouring rain with stroller.






03.31.10
Moynihan on Design
At
tonight’s lecture at D-Crit, Casey Jones, director of design excellence and the arts for the U.S. General Services Administration, quoted from Daniel Patrick Moynihan’s Guiding Principles for Federal Architecture, written in 1962.




03.30.10
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.












03.16.10
Things of Beauty
Saul Bass matchbook covers are about the most beautiful things I have seen in some time.








03.08.10
Not A Learning Experience
The Privileges finally gives a real satire of almost-present day New York City, in which money is discussed and no one has to learn their lesson.






03.03.10
The (Architectural) Anthologist
After some digressions weird and
wonderful, the Nicholson Baker I loved from The Mezzanine and U and I and Room Temperature seems to be back, cranky and at sea and procrastinating.















02.03.10
In AN 02: As the Tide Turns
In MoMA’s 
Rising Currents exhibition, certain tropes of contemporary waterfront design immediately surfaced.

















01.13.10
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of Avatar.






01.07.10
On DO: Skating on the Edge of Taste
The American Restaurant in Kansas City, designed by Warren Platner, is subject of a long essay on that architect and interior designer’s career.




01.06.10
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.







12.31.09
Last Post of 2009: Interview, Casey Jones
I interviewed the GSA’s newish head of Design Excellence,
Casey Jones, earlier this month about the future of this government program to ensure better architecture for government buildings






12.21.09
Exciting Multi-Generational Moment
An essay and slideshow on the
design of James Joyce’s Ulysses by my mother, Martha Scotford, appears on Design Observer, where I was recently made a contributing writer.






















11.22.09
Another New York
Every time I get an issue of
New York Magazine lately I ask myself: is Adam Moss turning it into a men’s magazine?



















10.24.09
Petting Zoo
On Thursday I took my class on a field trip to
One Bryant Park, the sustainable skyscraper that is almost complete at the northwest corner of 42nd Street and Sixth Avenue.























































































Observed | January 22

A new book explores the cold heart of Frank Lloyd Wright. [BV]


Observed | January 20

A facial recognition app with what appear to be endless weaponization possibilities. Truly. [JH]


Observed | January 15

A beautiful remembrance by Melissa Harris about Mercy Cunningham, in the New York Review of Books this week. [JH]


Observed | January 14

Are typefaces political? Researchers find "serif and bold is rated as more conservative, while sans serif and italics is rated as more liberal" [MB]

Congratulations to the entire AIGA community on their wonderful new executive director, Bennie F. Johnson! Here’s to bright futures. [BV]


Observed | January 13

Anyone interested in a “book about the future of human beings, as viewed by some of today‘s most creative minds working at the intersection of biology and technology...Think of it as a guide to your future self.”? Because we are! #FundThis [BV]


Observed | January 10

Donald Norman says we have to change the way we educate designers. [JH]


Observed | January 09

This is a very specific genre and Andrew Cushing is nailing it with Veronica Gent-level skills: “Name a fake startup and I’ll write an ad for it in the style of an NYC subway campaign.” [MB]

Take 2 minutes and ride shotgun through mid-century LA with Ed Ruscha’s photos and Jack Kerouac’s words. [BV]


Observed | January 08

“The short answer is that the intersection of art + science is in my blood... my favorite kind of artist residency is one where I get to work with scientists.” Our very own Jessica Helfand joins Caltech as a Winter 2020 artist-in-residence. [BV]

Royal Mail has released a set of stamps celebrating a golden era of British video game design from the 1980s and 90s. [BV]


Observed | January 07

Los Angeles’ favorite logos. (via James I. Bowie) [BV]


Observed | January 02

Brand New‘s Armin Vit ranks the top twelve clickbait-iest design stories of 2019. [MB]


Observed | December 30

New research finds that typefaces are perceived as having political characteristics, with sans serif fonts seen as more liberal, and serif fonts as more conservative. (via James I. Bowie) [BV]


Observed | December 29

Desperately sad to announce that Vaughan Oliver died peacefully today, with his partner Lee by his side. Great loss of friend and design hero. Vaughan Oliver (1957—2019). [AS]


Observed | December 27

Continuing the blessed holiday tradition that began at Design Observer, now at Curbed, Alexandra Lange + Mark Lamster review the year in design (with a special look back over the decade‘s greatest hits & misses). [MB]


Observed | December 17

A photographer captures the sculptural landscapes of California skateparks. [BV]


Observed | December 11

Matisse felt an intense love for books, and the care and attention he lavished on them included not just his illustrations, but also the selection of paper, typeface, and layout. [BV]


Observed | December 10

Stanford’s d.school attempts to move beyond Post-its on whiteboards. (via James I. Bowie) [BV]


Observed | December 06

“I simply wanted to explore the interiority of both myself and others. I wanted to focus on what connected us rather than what separated us.” Painting friends in mid-conversation, Alex Bradley Cohen hides as much as he reveals. [BV]

Yello is a great new newsletter from journalist Hunter Schwarz “about the culture, branding, and visual rhetoric of politics in America.” Here are his 101 picks for visual moments that defined politics in the 2010s, including Edel Rodriguez’s melting Trump. [MB]


Observed | December 04

How do you bring an 18th-century Agateware teapot to life? Crafting it calls for an intricate process of moulding and layering clay materials, to mimic the agate stone. [BV]

Check out French artist
Paul Sougy’s stunning mid-century scientific illustrations of plants, animals, and the human body. [BV]


Observed | November 29

London-based studio Dorothy has developed a map of the United Kingdom using the titles of more than 1,400 pop songs. #CartographyRules [BV]


Observed | November 21

The icons of our popular culture depicted as ancient ruins. (via James I. Bowie) [BV]


Observed | November 14

“Other bad films fascinate because they define an area of heroic obsession, horrifically misapplied. The heroism and the misapplication are inseparable. Anyone can commit himself body and soul to a clearly formulated project of obvious importance or quality, but to throw your last dollar, your last scrap of energy, into something ill-conceived and absurd from the beginning: That takes a human being.” Phil Christman on the reasons we watch bad movies. [BV]

Congratulations to Côte d’Ivoire-based artist Joana Choumali on being the first photographer from the African continent to be awarded one of the world’s most prestigious photography prizes, the Prix Pictet. [BV]


Observed | November 13

We are very excited for the next chapter of The Great Discontent and send all our congratulations to Hugh Weber and the TGD community: we look forward to new stories and new journeys. [BV]


Observed | November 12

Gorgeous redesign of The Atlantic by Peter Mendelsund and Oliver Munday. [MB]


Observed | November 11

Out TODAY, Jessica Helfand’s FACE: A VISUAL ODYSSEY from MIT Press. From Chuck Close, it’s “Everything you ever wanted to know about the face, plus lots you never knew you would want to know—and a few things you wish you didn’t. A must-read as well as a treasury of images.” [BV]



Jobs | January 27