Jessica Helfand
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Jessica Helfand|Essays
Notes from the Road: Part 1
A story of how logic meets chance, how memory engenders narrative, how observation seeds curiosity, cues language, and sparks form.
Jessica Helfand|Paris 140
Paris One Forty: Week Eleven
More Paris street photography + a surprise in a box.
Michael Bierut|Audio
Doors and Perception
Bathroom signs, MBA students, Mozilla and open logo design, The Commissar Vanishes, Masters of Sex
Jessica Helfand|Paris 140
Paris One Forty: Week Ten
A collection of type on the streets of Paris
Jessica Helfand|Paris 140
Paris One Forty: Week Nine
Lightbulb-headed naked dolls, Butter! Eggs! Lemons! Type = theatre, how the light falls in Paris + more.
Michael Bierut|Audio
Memory Loss
The Napalm Girl photo on Facebook, 9/11 out of context, Apple stores and the iPhone 7 launch, the Doctor Strangelove trailer, Wiener-Dog, Pantsuit
Jessica Helfand|Paris 140
Paris One Forty: Week Eight
George Melies, the art of the mannequin, Franz Lizst, the Bourgeois + more.
Jessica Helfand|Essays
A Good Pan Is Hard To Find
On baking a cheesecake and becoming a better designer: it’s one big balancing act of artistry and skill.
Jessica Helfand|Paris 140
Paris One Forty: Week Seven
Training the lens on the other Paris.
Jessica Helfand|Observer Quarterly
Tonight’s Specials
A menu is an inventory, an index, a list—but it’s also a kind of social history, telling us what we ate, where we ate it, and how much we paid for the privilege of doing so.
Michael Bierut|Audio
Food for Thought
Samsung v. Apple, the International Style v. capitalism, Sausage Party, mozzarella sticks
Jessica Helfand|Essays
Cock-a-Doodle-Don't
Where food is concerned, the relationship between what things look like and how we respond exists at its most primal level: what is a gut reaction, after all, if not something that attacks your gut?
Observed
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Observed
Recent Posts
Katie Conry on building public programming for San Francisco’s most historically rich — and most misunderstood — communities Brands cannot afford to speak in the same voice as countless others right now. Typeface designers can help. We’re joyfully receiving your feedback. Here’s where we’re headed: Becoming a better observer has defined John Ball’s 40-year design career