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Home The Icarus Diaries 02: The Backstory

02: The Backstory

Read the introduction to this series.

Classically, Icarus is shown as a fallen angel, muscled body in freefall. The focus is on his flight, not his face.

The Fall of Icarus, by Hendrik Goltzius, 16th century, mannerist engraving
The Fall of Icarus. Giuseppi Cesari, 16th century, mannerist engraving
The Fall of Icarus by Peter Paul Rubens, 1637, oil on wood 

But who was he, really? 

The paintings in this series each imagine Icarus as human: at turns hopeful and penitent, ascendant and lost. There’s so much territory to mine, here: it is an ancient story but a modern one, too. So modern. (Maybe too modern.) I think of struggle and tension, of aspiration and hubris and a violent, unforgettable end. 

But it begins with the hopefulness of a boy who is about to soar.


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