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Michael Bierut|Essays
Now You See It
There was a message hidden in the illustration on the cover of the New York Times Book Review. At least I think it was hidden. Did you see it? Why didn’t I?
Michael Bierut|Audio
S3E4: Timothy Geithner
Timothy Geithner was Secretary of the Treasury from 2009 to 2013. He chairs the Program on Financial Stability at the Yale School of Management.
Juliette Cezzar|Books
The Future of Graphic and Communication Design
A look at how our roles as designers are ever evolving.
Debbie Millman|Audio
Design Matters From The Archive: Massimo Vignelli
Debbie talked to Massimo Vignelli about his favorite typeface, his fight against vulgarity and meaningless design, and what he means by forceful design.
Cheryl Heller|Essays
A Busy Woman
Through corporate success, betrayal, and reinvention, Cheryl Heller found a new sense of strength in the face of uncertainty—and an understanding of what you just shouldn’t stomach anymore.
Brian LaRossa|Commentary
De-specializing Design Education
Certification represents an assurance of quality, but also implies exclusivity. What about design?
Ashleigh Axios|Commentary
To Be a Design-Led Company
Over the last 10 years, design-led companies have maintained significant stock market advantage, outperforming the S&P by an extraordinary 211%.
Irene Malatesta|Essays
How Designers Can Fight Unconscious Bias: Powerful Lessons From Vectors SF
Exploring the problem and prevalence of unconscious racial and gender bias in the workplace and beyond.
Doug Powell|Interviews
The Future of Design (Education)
Doug Powell sat down on the porch of Austin Center for Design with it’s founder, Jon Kolko to talk about design education, design for good, and how job titles are poor definitions.
Tiffany Peng|Essays
Sparing the Designer’s Ego
The suggestion that we designers should recognize our egos was one that should’ve been realized a lot sooner.
Debbie Millman|Audio
Design Matters from the Archive: Bonnie Siegler
Debbie talks to designer Bonnie Siegler about her career and about the conflict between designers and their clients. "The clients aren’t the problem, the clients aren’t jerks, they’re not assholes, it’s not that …
Lilly Smith|Essays
New Album, Old School: Branding The Black Keys’ Dan Auerbach
“The appeal of my stuff is that it isn’t perfect. I don’t know how to use Illustrator. Some people are stoked by and some people are turned off by it.”
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