Media
Showing 97 – 108 of 1,217 results
Thomas de Monchaux|Books
Something Elemental About Something Artificial
Exploring the complex space between the formal and informal, the formed and formless with LOT-EK.
Gregorio Amaro|Projects
“Digital Amoxtli ”: Interaction Design Can Be More than Just Fun and Games
Through designer Gregorio Amaro’s new project, which addresses death from a MesoAmerican perspective, we see how interaction design has the potential to create positive outcomes by addressing difficult subjects in new ways.
Chip Kidd|Books
Designing The Road
In an excerpt from his new book, Chip Kidd recounts designing Cormac McCarthy’s The Road.
Maya P. Lim|Essays
Walden, Or a Life with the Book
Can suboptimal book design discourage you from reading? Can the design of something ever stop you from doing something you love?
Brian LaRossa|Commentary
How We Read Matters
We are responsible for the consequences of the way we choose to read.
Sean Adams|Evidence
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”
Ken Gordon|Essays
Narration vs. Curation: Deyan Sudjic, the Design Museum, and B Is for Bauhaus
To read a book is to stage an exhibition in one’s own imagination.
John Foster|Accidental Mysteries
An Archive of Czech Film Posters
Real life #TBT: a publicly accessible database with over 6,000 original, vintage posters from all periods of cinema.
Lilly Smith|Competitions
How to Judge a Book by its Cover
Announcing the 2016 50 Books | 50 Covers selections.
Melissa Harris|Books
A Wild Life
PERMISSION EMPHATICALLY DENIED. The story of a National Geographic photographer’s journey documenting mountain gorillas in Rwanda. An excerpt from A Wild Life: A Visual Biography of Photographer Michael Nichols.
Linda Florio|Books
Finding Marguerita
With her designs, Marguerita Mergentime was stirring up conversation, provoking human interaction, and providing a visually compelling backdrop to socializing long before today’s concept of user experience had evolved.
Adrian Shaughnessy|Essays
Literary Alchemy and Graphic Design
Should graphic designers take a lead from Joycean lyricism?
Observed
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Observed
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Brands cannot afford to speak in the same voice as countless others right now. Typeface designers can help. We’re joyfully receiving your feedback. Here’s where we’re headed: Becoming a better observer has defined John Ball’s 40-year design career Encontrar tu propia voz toma más tiempo que hacerse viral